Now showing items 101-120 of 165

    • SOUNDING WOOD, Tonal differences of woods employed in historical soundboards 

      Rigali, Fabio (2016-01-02)
      This work starts giving a short introduction about woodworking and devotes the second chapter to collecting and commenting historical sources dealing with wood used in stringed keyboard instruments. In the following part, ...
    • Resan från nyutbildad till professionell operasångerska 

      Zuzic, Lana (2015-09-14)
      In my work I process my development of vocal technique and how it was affecting me during my artistic project "My home - a way back" with director Mira Bartov. During the training, I have met different coaches and singing ...
    • Time, organic bonds and silence, a different perspective on a western musical tradition 

      Miguel, João Pedro (2015-06-24)
      My investigation explores how a set of Japanese aesthetical conceptions related to Zen Buddhism could influence my perspective about musical interpretation and composition within a Western Art Music context, classical as ...
    • The future role of the french harmonium 

      Benderius, Lisa (2015-06-24)
      In this work, the nature of the nineteenth-century French harmonium is explored in order to identify its possible future role. It was shown that the instrument is suitable for the performance of contemporary repertoire, ...
    • Brahms Horn Trio, Choice of Interpretation 

      Brissach, Ida Regine (2015-06-24)
      There are many ways to interpretate music, and sometimes it can be hard to know what you, as a musician will like the most. This is an important choice that every musician have to consider when they work on a piece of ...
    • Improvising in the French Romantic Style at the organ 

      Quintal, Nelson (2015-03-24)
      “Improvising in the French romantic style at the organ” has two important areas of focus. The first is the contextualization of César Franck in nineteenth-century France as musician and organ performer. I have chosen to ...
    • Fusion i aktion, Odissi som konstnärligt instrument i västerländsk teater 

      Pooja Claesson, Anette (2015-03-06)
      In search of a stage language that resonates in historical disciplines, I have explored the possibility to expand my performing arts through the language of Indian classical Odissi, through different forms of storytelling. ...
    • The Piano Music in the Ballet Class 

      Palacios Izaguirre, Mariana (2015-03-02)
      How can the pianist make the music "talk" to the dancers in the ballet classes? How can the pianist influence the interaction between the dancers and the music? As the role of the pianist is so important and influential ...
    • Sophrology 

      Dyé, Aurore (2015-02-06)
      This work deals with the practice of the Sophrology in order to get more self-confidence as an orchestra flute player. Sophrology is a practice based on the connection between the body and the mind. With both physical and ...
    • Practicing orchestral percussion excerpts 

      Castañón Cabezas, Miriam (2015-02-06)
      This thesis is about my own work preparing percussion orchestral excerpts that are often asked in auditions. The fundament of this work is my daily practice compared with describing blogs, books and teachers opinion and ...
    • Omväxling förnöjer 

      Olsson, Ida (2014-08-12)
      Den analytiska och teoretiska delen av arbetet presenterar begreppet intersektionalitet och undersöker humoristisk gestaltning av musikdramatik utifrån detta synsätt. Studien undersöker vilka normer och maktordningar som ...
    • Mellan dig och mig 

      Wernhamn, Monique (2014-08-06)
      How can I make art that face people in their everyday lives, which is integrated into their lives, becoming a part of the discussions both in the mundane and in the room of society? Can I do this by working with performative ...
    • A musician on stage 

      Bereijo López, Paula (2014-08-06)
      This work discusses issues around performance; mental training, some exercises for instrument practice, nerves and reactions after mistakes. It includes both my own experiences as well as that of others through interviews.
    • Den stora goda koncentrationen 

      Holmström, John (2014-08-05)
      Det här masterarbetet undersöker och diskuterar vad närvaro i musik kan vara och hur man kan träna på att vara mer närvarande oftare. Undersökningen har skett genom en lärandeprocess med utgångspunkt i österländska traditioner ...
    • Den ärliga tolkningen 

      Andersson, Joel (2014-08-05)
      In this thesis I try to find ways to be more independent and conscious in my interpretation of the music which I am playing. To be able to be more sure of myself and my own decisions I try to find methods on how to achieve ...
    • The art of piano trio playing 

      Heikkinen, Pirkko (2014-08-05)
      The master’s thesis The Art of Piano Trio Playing consists of three parts which are the written part, the concert recording, and the composition part. The written part presents challenges and phases that a musician may run ...
    • Orkesterfiolinisten 

      Bjørgen Endresen, Elise Marie (2014-08-05)
      The purpose of this master thesis is to investigate what qualities and skills you need to be a professional orchestra violinist. The thesis consists of qualitative research interviews with professional orchestra violinists ...
    • Teaching oboe in different ways 

      Vela Recio, Alejandro (2014-08-05)
      In this thesis Teaching oboe in different ways I use the ideas by John Biggs and Catherine Tang from their book “Teaching for a Quality Learning at University”. These ideas talk about how teachers teach their subjects and ...
    • The fourth octave on the flute 

      Barroso Muñoz, Marta (2014-08-05)
      This thesis is an approach to the fourth octave on the flute. The subject is looked at from three different perspectives: the physical, the historical and the technical one. First I investigated the characteristics and the ...